Category: LITTLE ANGELS

More requests on the go: here’s the now rare, out of print, expensive (over €120) digitally remastered version of LITTLE ANGELS cracking album ”Don’t Prey For Me” done by Cherry Red / Lemon Recordings including 7 bonus tracks.
Scarborough’s favorites sons burst onto the UK rock scene with their radio-friendly American-style hard rock in the late 80s. Attracting attention and column inches with their superb musicianship and youthful enthusiasm (one tour was dubbed ‘Rock And Roll Education’ and saw the band playing school halls by day and concert venues by night!), they signed to Polydor Records in 1988.
Preceded by the “Big Bad EP” which contained four non-album tracks (all included here as bonus cuts), this major label debut long-player propelled Little Angels in amongst the ‘big boys’ of British Melodic Hard Rock and led to support slots opening for Bon Jovi, Aerosmith, Guns N’ Roses and Van Halen.
To capitalize on the band’s growing popularity, Polydor hurriedly issued the “Get Radical EP” which broke the UK Top 40 for the first time (two tracks included here as bonus cuts) and led to a UK headlining tour.
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As requested, here’s the now hard to find reissue of LITTLE ANGELS first album “Too Posh To Mosh“, digitally remastered by Cherry Red / Lemon Records, and for the first time in its ’87 mix.
Originally released November 1987 on LP vinyl & cassette only, these recordings were later released on CD in 1994 under the title ‘Too Posh To Mosh, Too Good To Last!’, but remixed.
This Cherry Red release is the original, much better, capturing LITTLE ANGELS original essence with a glammy / melodic hard sound n’ attitude. The song ‘Reach For Me’ also features the ‘Too Posh To Mosh’ reprise that was only previously included at the end of side 1 of the original vinyl…

As requested, here’s the not so easy to find Bad Reputation Collectors Edition of LITTLE ANGELS third album “Young Gods“, fully remastered and including 5 rare songs as bonus tracks.
For this album, the British band combined the hard rock style of their previous efforts with a some commercial approach to appeal the US market, plus classic rock / bluesy melodies.
You find that 1990-91 American polished melodic hard rock sound on songs like ‘Boneyard’ or ‘Back Door Man’, superb ballads on ‘I Aint’t Gonna Cry’ and ‘Feels Like The World Has Come Undone’, bluesy midtempos like title track ‘Young Gods (Stand Up, Stand Up)’ and ‘Product Of The Working Class’, fun classic rockers (‘The Wildside Of Life’, the gripping ‘Love Is A Gun’), and more.
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