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With the new CRIMSON GLORY box-set featured in exclusive at 0dayrox, we think you need to hear the songs the band recorded with vocalist Todd La Torre (later in Queensryche) when he joined the band after original singer Midnight passed away in 2009 due to long-term health complications. La Torre became an official member of CRIMSON GLORY in April 2010 and has played a number of shows with the band during the past two years.
In ‘‘Demos with Todd La Torre [2010-2012]” we have ’80s CRIMSON GLORY songs performed by La Torre, demos with very good sound quality, plus a new song from a new album that never was. A capable metal singer, La Torre really nailed these really hard to perform tunes.
La Torre made his first public appearance with CRIMSON GLORY at ProgPower USA X (2009) as one of seventeen guest performers paying tribute to Midnight, who passed away months earlier.

Here’s more from the wonderful Japanese cardboard sleeve (mini LP) reissue series of STYX on high quality SHM-CD, with outstanding sound quality. All were released a some years ago, a Limited Edition out of print already. These pressings really worth to have as all are essential STYX albums – Let’s go with 1976’s “Crystal Ball” now.
This reissue campaign covers Styx’s releases for major label A&M Records, and “Crystal Ball” is the 2nd after the successful ‘Equinox’.
As if to make the transition between albums seamless as possible, Crystal Ball’s opener “Put Me On” sounds as if it could be a mash-up of the first two songs from the previous album, Light Up and Lorelei. This song could not be confused with any other band than Styx, so there is no doubt the inclusion of Tommy Shaw into the line-up worked great.
“Crystal Ball” was a showcase for Styx’s increased skill for crafting simple, catchy melodic rock hooks out of their bombastic sound. Perhaps not well known as their best selling albums, but “Crystal Ball” is excellent all way through.
These Japanese cardboard sleeve (mini LP) reissues of STYX on SHM-CD sound awesome. Especially the very first albums, like this “Crystal Ball”…

BLACK EYED SONS is a new Rock ‘n’ Roll collective formed by members of The Quireboys and Joe Elliott’s Down n’ Outz, and on their debut album “Cowboys In Pinstriped Suits” they are joined by an amazing collection of fellow musicians for a joyous collaboration of mutual admiration and musical celebration.
Since the band announced they were working on their highly anticipated new album ‘The Band Rolls On’, what was already becoming a chance for a musical rebirth metamorphosized into something far bigger and more ambitious. The final cuts feature distinguished collaborations from a multitude of Rock Royalty.
The band, their management and close friends within the industry all agreed that this should be treated as a stand-alone new project, a Rock ‘n’ Roll Collective going under the name BLACK EYED SONS, a nod to a previous album from their extensive back catalogue.
The revised album title, “Cowboys in Pinstriped Suits” is named after one of the eleven tracks and features none other than Def Leppard’s Joe Elliott alongside Alice Cooper guitarist Ryan Roxie and bass grooves from Chip Z’Nuff.
Other guest stars include Mike Tramp (White Lion), Scotti Hill (Skid Row), Dan Reed (Dan Reed Network), Steve Conte (Mike Monroe), Kyf Brewer (Company Of Wolves), Josh Todd & Stevie D (Buckcherry) and more…

DON AIREY, the master behind the keys for some of rock’s most iconic albums, has announced his latest studio album, ”Pushed To The Edge”, set to be released on March 28 via earMUSIC.
As one of the most recorded keyboardists of all time, with over 300 albums featuring his unmistakable sound, Don Airey‘s skills have been valued by nearly every rock ‘n’ roll superstar. The list includes legendary artists and bands such as Ozzy Osbourne, RAINBOW, WHITESNAKE, JUDAS PRIEST, Gary Moore, BLACK SABBATH, and, of course, DEEP PURPLE, the band Airey has been a full-time member of for over 20 years.
After last year’s success, when DEEP PURPLE secured their fourth consecutive No. 1 album with =1 and a subsequent global tour, Airey kicks off 2025 with the same energy in his solo work.
Joining Airey on the new album is an all-star lineup featuring Carl Sentance (NAZARETH) and Mitchell Emms (“The Voice UK”) on vocals, DEEP PURPLE guitarist Simon McBride, drummer Jon Finnigan, and bassist Dave Marks.
Produced in the finest hard rock tradition, ”Pushed To The Edge” is a raw gem — crafted without tricks or shortcuts, staying true to the pure musicianship of world-class artists…

Dissonance Productions, the ‘metal label’ of Cherry Red Records is about to release CRIMSON GLORY – The Roadrunner Years, a 31-track, three disc box set from legendary Florida based progressive metal act Crimson Glory featuring their first three full length studio albums, originally released via Roadrunner Records.
CD 1 features their self-titled debut full length recording originally released in 1986 including a bonus track, while CD 2 features the classic follow up ‘Transendence’ (a bonus track as well), originally released in 1988. The final disc, CD 3, features the band’s 1991 full length ‘Strange and Beautiful’.
Crimson Glory were formed in Sarosota, Florida as Pierced Arrow. From 1979 to 1983, the band went through name and line up changes. By 1983, the band had settled on the name Crimson Glory. The classic and original line up consisted of singer Midnight, guitarists Jon Drenning and Ben Jackson, bassist Jeff Lords and drummer Dana Burnell.
Along with their heavy sound, progressive arrangements, and melodic tunes, the band stood out for their theatrical looks on stage as the band would perform with masks on. By the mid 1980s, the band were signed to Roadrunner Records.
CRIMSON GLORY where a unique band not only for their haunting metallic masks, but a sound defined by progressive harmonies and dramatic high-pitched vocals, led by the enigmatic frontman Midnight, a cross between Geoff Tate and Rob Halford…

A few days ago we featured the two albums from melodic rock/pop outfit Spider featuring females Holly Knight and Amanda Blue. Well, seems you liked these a lot, then you need to have SHANGHAI self-titled album from 1982, here in its only CD reissue not easy to find.
After the second Spider album, Holly Knight focused in songwriter duties & performing for other artists and amicably leave the band. Enter ‘bad boy’ Beau Hill but this time as musician replacing Holly on the keyboards and contributing songwriting, and the band changed its name for SHANGHAI.
The self-titled album ”Shanghai” on Chrysalis Records was produced & mixed by monsters Bob Rock and Bruce Fairbairn, and having these and Beau involved circa 1982, you can only expect that classic American AOR sound & style here.
The opening track “S.O.S.” sets the tone, reminiscent of Jefferson Starship’s “Jane”, with consistent quality throughout the album. “Born To Rock” brings a touch of hard rock influences, but overall this is AOR / Melodic Rock with the era’s ‘hero pump’. Songs full of big hooks, dynamic keyboards, and showcasing the great pipes of Amanda Blue…

Yesterday we featured in exclusive The Bad reputation remastered reissue on SHOK PARIS album ”Steel and Starlight”. The album was released in 1987 but.. not as the band’s whish.
”Steel And Starlight” was originally released by I.R.S. Records, a label was more suited to working with pop acts than heavy metal bands. Thus, they may have felt the urge to make changes to SHOK PARIS’ songs. Imagine working hard on your major label debut, only to find out after the album was released that numerous changes had been made to your songs; intros were removed, guitars pushed back, etc. As it turns out, in 1987, I.R.S. took creative control of the album after SHOK PARIS delivered it to them. Unfortunately, this happened to a lot of bands.
I can only imagine the disappointment SHOK PARIS felt when I.R.S. remixed the songs, rearranged the track order and even cut tracks altogether. Auburn Records were label partners with I.R.S. for Steel And Starlight’s original release, but I.R.S. had final say.
Finally, the world has been set right decades later by the band and Bill Peters of Auburn Records. ”Steel And Starlight – The Auburn Sessions” features the original Auburn mix of the album. In fact, there is nothing here that was on the original I.R.S. release.
The guitars are a more ‘in your face’, the songs have more punch. The originally intended track order is here as well. The piano intro to “Exhibit A” has been restored as well. The track “The Minutemen” has been properly returned to the track listing as well. The song recounts the Battle of Bunker Hill at the beginning of the Revolutionary War. In 1987, the song was cut because Miles Copeland (head of I.R.S. Records) found the lyrics objectionable to his British ears!
“Fallin’ For You” was written as a replacement for “The Minutemen” on the original release. Here, it is assigned a bonus track status at the end of the album, along with original CD-only bonus track “Streets Of Pleasure”. Also included are 4 unreleased, very good bonus tracks; it is surprising that these didn’t end up on the follow-up album Concrete Killers in 1989…

After a six-year hiatus, IQ returns with ”Dominion”, an fantastic recording that demonstrates their enduring command over melodic progressive rock. Among the wave of second-generation British progressive rock bands that emerged in the 1980s, IQ has always stood at the pinnacle, with a wide sonic spectrum attracting fans from different genres from prog rock to hard rock and even melodic pop.
Their mastery crafting intelligent music is undeniable, combining superb musicianship, sweeping progressions, and deeply evocative lyrics. Peter Nicholls’ vocals remain a defining force. Indeed, his delivery is clear, nuanced, and effortlessly hypnotic, drawing listeners deeply into the new album. Throughout, Nicholls’ vocals beautifully intertwine with the opulent instrumentation, engaging in a dynamic dance with the electric organ & synths, finely crafted guitar solos, and glorious Mellotron.
“Dominion” is sure to delight IQ’s many loyal fans and if you’re not yet a fan or have been IQ-curious for some time, make it a priority to check this album out. You’re likely to be delighted – and a voyage of discovery awaits you…

You keep asking for more OZZY OSBOURNE, and here’s the Prince of Darkness fourth album “The Ultimate Sin“. This remastered Japanese Limited Edition was the only released on a Cardboard Sleeve miniLP replica, now out of print and highly sought after by collectors.
While many, including Ozzy, view “The Ultimate Sin” as ‘not heavy enough’, we completely disagree. It was Ozzy’s ‘more Melodic Hard Rock’ album, and we love it. Love the sonic approach. And we love the classic song ‘Shot In The Dark’.
Produced & engineered by one of the best knob-twiddlers from the ’80s – Ron Nevison – who kept the sound in step with the times (1986) providing a wonderful glossy texture, the album hit new commercial heights for Osbourne after its release peaking at No. 6 and going platinum before the year was out.
This is Ozzy’s last album with Jake E. Lee playing guitar, and he deliver some of the best, flashing guitar riffs & solos from his career…

Continuing the reuested Japanese cardboard sleeve (mini LP replica) reissue series of STYX classic albums on high quality SHM-CD, here’s 1983’s  “Kilroy Was Here“. All these discs were released in a Limited Edition form and are collectibles now.
Styx leader Dennis DeYoung felt the only way for the group to top the No. 1 success of previous album Paradise Theater was to capture the band on film. To that end, he developed an ambitious concept that touched on themes of censorship, totalitarianism and the dangers of increasing technology.
“Kilroy Was Here” would star DeYoung as a rock star named Robert Orin Charles Kilroy (note that the initials spell ‘ROCK’) imprisoned in a future where rock and roll has been banned.
When DeYoung presented his idea to the group, it met with resistance. Concept albums had been commercially viable in the ’70s, but were viewed as passe in the new decade. KISS had only recently experienced an enormous downturn in their career from a concept album titled Music From ‘The Elder‘ and Styx guitarists Tommy Shaw and James “JY” Young both feared another concept album after Paradise Theater would pigeonhole the band.
Despite the mixed reviews, “Kilroy Was Here” was a commercial success, with first single “Mr. Roboto” shooting to No. 3 in…

Formed in 1968 and revived in 2020 by original members guitarist Clem Clempson and bassist Mark Clarke, together with R&B legend singer Chris Farlowe (who joined in 1970), COLOSSEUM is living legend band. They were rone of the first bands to fuse jazz, rock and blues, later morphing in to progressive rock – and currently playing an organic styel of classic rock with a bluesy foundation.
2025 sees COLOSSEUM unveiling a new studio album. Simply titled ”XI”, COLOSSEUM’s eleventh studio album brings another exciting chapter in the band’s recording history, which began in 1969 with their debut Those Who Are About To Die Salute You. The nine songs on ”XI” showcase the current COLOSSEUM line-up at their best – a group of friends, long-time colleagues and like-minded people honoring the memory of founding members Jon Hiseman and Dick Heckstall-Smith without sounding outdated, and who once again cover the wide spectrum of blues, jazz-rock and prog that COLOSSEUM is known for, in a dynamic and inspired manner…

The best live albums put you right there on the front row. And as the raucous Friday-night crowd welcomes ERIC JOHANSON to the stage at the Ground Zero Club in Biloxi, Mississippi, for a set that mines his Billboard-topping studio catalogue, you’ll feel this generational performer in your bones.
“I want ‘Live In Mississippi‘ to make people feel like they’re at our show,” says the Louisiana-born bandleader of the live album bottled last August in the home of the blues and released in March 2025 on Ruf Records. As anyone with their finger on the pulse of blues rock / classic rock surely knows, Johanson is amongst a handful of artists dragging these ancient musical forms in vital new directions. Johanson has explored various musical genres and developed his own style that blends blues, rock, funk, and other influences.
The 10-track live album showcases Johanson (vocals, guitar), bassist Will Repholz, and drummer Terry Scott, Jr., igniting the stage. ‘Live in Mississippi’ is a testament to Eric Johanson’s multifaceted talent. He effortlessly reimagines his own work and breathes new life into borrowed classics, proving his mastery of the blues infused rock in a live setting.
Even the casual listener will quickly recognize Johanson’s profound understanding of the Classic Rock idiom…

As requested, here’s the Bad Reputation remastered reissue of SHOK PARIS‘ second album ”Steel And Starlight”, the underrated killer US metal album from 1987 which now sounds better than never. ”Steel And Starlight” features eleven classic 80s melodic metal tracks, with an anthemic quality that easily gets the neck moving right from the start.
Vocalist Vic Hix has a very charismatic and melodic vocal style, oftentimes sounding like the long lost twin brother of of Blackie Lawless, at others, Ronnie James Dio. There is no doubt that Hix’s vocals are a defining quality of this band. His voice is full and powerful, and he is able to hit and sustain the higher notes when necessary.
As I said, the Dio comparison is very easy to hear, however musically SHOK PARIS has notable elements of W.A.S.P., Icon, Lizzy Borden, very early Pretty Maids, etc. Heavy but hard rockin’, punchy but melodic…

We featured Holly Knight solo album then you need to hear Holly’s early band SPIDER and the albums ”Spider (1980)” and ”Between The Lines” (1981), both great slices of quality melodic pop-rock. This reissue features both – “2on1 CD Spider + Between The Lines”.
SPIDER had respectable commercial success, but over the time, the quality of these two albums has been emphasized by the effect the band had later on: versions of these songs became definitive singles for other artists – particularly John Waite’s on “Change” and Tina Turner’s “Better Be Good to Me”.
Also, the band’s drummer and one of the principal songwriters was talented Anton Fig, one of the most requested musicians from the 80s/90s. And of course Holly Knight with her songs but here performing keyboards, as the lead vocalist was another fantastic female singer: Amanda Blue.
Both LP’s were produced by Peter Coleman (Lee Aaron, Pat Benatar) so expect a clean but dynamic sound with the band delivering energetic melodic tunes…

Let’s continue with this really good Japanese cardboard sleeve reissue series of STYX classic albums on high quality SHM-CD. All were released a some years ago, a remastered Limited Edition ‘mini LP replica’ never reissued – now out of print. Here’s their masterpiece “Paradise Theater“.
“Paradise Theater” was Styx greatest commercial triumph and their #1 album in the charts, achieving triple-platinum sales. It remains as one of the best examples of the convergence between light progressive rock and AOR which typified the arena rock sound of top acts of the late-70s and early-80s such as Journey, REO Speedwagon and Kansas.
Indeed, “Paradise Theater” is for Styx their massive commercial breakthrough as it was ‘Escape’ for Journey, ‘Hi Infidelity’ for REO Speedwagon, and Foreigner with ‘4’…