Now here’s in exclusive the ultra-rare PRECIOUS METAL album “Unreleased Trax & Demos 1983-1991“, released by the band’s front-woman Leslie Knauer some time ago, available via her website only.
It’s a CDr with most the demos the band recorded, different track versions from the albums final takes, and some unreleased songs.
While there’s demos from the very first era, the real gem on this disc comes in the second half – melodic hard rock with punch, similar to Vixen in sound, but heavier. The audio quality is A+, especially the unreleased songs 1990-91.
These are awesome female fronted AOR tunes with that bright melodic hard rock sharpness from the early Nineties.
“Unreleased Trax & Demos 1983-1991” is a highly collectible, extremely rare, and gooood.
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While not commercially successful as Lita Ford, Vixen, or Lee Aaron, PRECIOUS METAL was one of the coolest all-women hard rock bands from the second half of the ’80s. They actually can play, and very, very well. Their albums have become quite hard to find, used CD copies sold for over U$D 100 at auction sites.
Vocalist / songwriter Leslie Knauer (who still fronts the band, still not officially dissolved) some time ago made available via her website remastered versions of Precious Metal first 3 albums.
Now as requested, here’s in exclusive PRECIOUS METAL debut album, 1985’s ”Right Here, Right Now”, in its 2000 self-released reissue. It’s a CDr and it isn’t noted that it was remastered, but compared with the original CD (a rarity), this 2000 version sound quality is much, much better.
Produced by Paul Sabu and with songwriting contributions by experts Richie Zito & Joey Carbone, ”Right Here, Right Now” is pure mid-80s: having a good time, leather and lace, an pop-metal ditties – and that is exactly what Precious Metal deliver.
No, this isn’t exactly rocket science, but who ever said rock and roll had to be so serious, or even thoughtful for that matter. ”Right Here, Right Now” sports catchy guitar riffs, sing-along choruses, catchy melodies…

As part of the Universal Records Japan reissue campaign of various ’80s Rock artists / albums from their back catalog on high quality SHM-CD, all remastered and with bonus tracks, here’s the requested POISON third album, the multi-Platinum “Flesh & Blood” including 2 bonus tracks.
After the glammy, hair metal party of the band’s two previous efforts, “Flesh & Blood” was Poison’s ‘get serious’ album, and one of the strongest of their career.
The idea was to write and record more mature music and lyrics, something that guitarist C.C. DeVille was opposed to. He saw nothing wrong with the glam-slam-king-of-noize direction that they started on, and maintained that Look What the Cat Dragged In was their high point. He saw the introduction of more classic hard rock blues influences as diluting the Poison sound he liked.
However, “Flesh & Blood” is the best thing C.C. has done, and ultimately he was very happy with the result…

MelodicRock Classics partened with classic pomp-rockers TRILLION for a physical release of their acclaimed 2011 EP ‘Trillion III‘. For this occasion, the release will be re-titled ‘Ray Of Light‘ and feature brand new artwork by resident MRC graphic artist Nello Dell’Omo.
‘Ray Of Light’ will be released in June, and we have it here in exclusive at 0dayrox.
The songs were written and recorded by early band members Thom Griffin, Frank Barbalace, Bill Wilkins and CJ Vanston as well as additional keyboards by founding member, Patrick Leonard and bass by Dave La Rue.
As a very special bonus, there’s 5 solo tracks from singer/songwriter Thom Griffin to round out the release….

Criminally underrated and relegated to a second row in terms of popularity, PRECIOUS METAL was one of the best all-women hard rock bands from the second half of the ’80s – they actually can play, and very, very well. Their albums have become quite hard to find, used CD copies sold for over U$D 100.
Seems vocalist / songwriter Leslie Knauer (who still fronts the band, still not officially dissolved) some time ago made available via her website remastered versions of Precious Metal first 3 albums. We featured the 3rd, ‘Precious Metal’, already.
Now as requested, here’s in exclusive PRECIOUS METAL second album, 1988’s ”That Kind Of Girl”, in its 2001 band self-released reissue. It’s a CDr and it isn’t noted if it was remastered, but compared with the original CD, this 2001 sound quality is much, much better.
Produced by Paul Sabu ”That Kind Of Girl” is a glossy, commercial 1988 pop-metal album. For the most part Precious Metal deliver hard-rocking and melodic songs like album opener “Anybody’s Lover”, “Seven Minutes to Midnight,” and the fun and entertaining title track, all resembling the sound of Vixen, Lita Ford, and Heart at the time, but with a bit more edge…
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It’s a real pleasure to fulfill this request; “Trouble In Paradise”, the debut album by RANSOM. This band was formed by experienced musicians Tommy Girvin (Lead Vocals, Guitar) & Don Cromwell (Bass, Keyboards), both having previously been part of Eddie Money’s band, Fiona Flanagan, Harlan Cage, and more. On drums we find excellent Ron Wikso (The Storm, Foreigner, David Lee Roth).
This is ”Trouble In Paradise [Japanese Edition +1]” CD, released in Japan by MTM as part of their “All Fired Up!” series, including a bonus track.
Simply put, this is one of the best Melodic Rock / AOR albums released in Nineties, and one of the best from the genre overall. Girvin & Cromwell didn’t care about the dark sounds coming from Seattle, and did this awesome late ’80s sounding platter full of melody.
With songwriting contributions of experts Curt Cuomo, Fiona Flanagan and Marc Tanner, this is a very special album – while with a pretty AOR feeling in essence, fans of other rock genres where melody rule also will find a lot to enjoy in this CD…

Put together in Wakefield, UK, during 1986, and inspired by the success of bands like FM, Bon Jovi, Def Leppard and Night Ranger, since the beginning FKM wanted to create their own melodic rock mayhem with a British flavor.
Through a series of demos, they gave it their all, with their keyboard driven / twin guitar attack sound and they attracted the attention of EMI; unfortunately internal issues drove to nothing. They garnered critical acclaims in the pages of magazines like “Kerrang!”, “Metal Forces” and “Iron Fist”, where their brand of Melodic Rock with an AOR feel was likened to Night Ranger and FM.
The much appreciated “LOST UK JEWELS” Series now compiles all FKM recordings on their Volume 28, titled as one of the songs; “Broken Dreams”, including all their tapes, very well recorded & produced back in the day.
If you’ve a penchant for the likes of Tobruk, FM or Night Ranger then you can’t miss ”The Lost UK Jewels Vol. 28; FKM – Broken Dreams”…

The album that never was and all Melodic Hard Rock / AOR fans were waiting for decades is finally here. British band GARRISON album “The Final Chapter” is being released as Vol. 29 of the much appreciated “LOST UK JEWELS” Series.
Back in the ’80s GARRISON only officially released a single, but professionally recorded many songs from an album that never saw the light of day.
With renewed interest over thirty years later, the band decided to fire up the amps one final time to re-record six of their best songs, with the addition of one new track, plus three live tracks and two carefully remastered ’80s demos (incl. their first 7″).
This is the album that never was, the final chapter in a career that has been littered with fabulous opportunities and incredible music! GARRISON is awesome, melodic but rockin’, even ballsy at places.
Fans of melodic ’80s rock are in for a treat as this album is packed full of exceptional songs, the kind that British AOR was built on. If you like bands like Shy, Treat and Europe (Out Of This World-era), you will love GARRISON…

Also requested, here’s in exclusive the just released “Music On CD Expanded Edition remastered +3” of THE FIXX 1984’s celebrated album “Phantoms“.
While Dutch label Music On CD rarely reissue albums is remastered form, this version of “Phantoms” is really welcomed as it sounds fabulous. And the bonus tracks aren’t just fillers – the much sought after ‘I Will (Extended)’ isn’t just a dance remix, this long version is really different from the original album track.
After the catchy ‘Reach the Beach’ (1983) album, “Phantoms”, originally released in 1984 by MCA Records was a little more serious, a little more lugubrious, and a little more varied – for many the best THE FIXX record.
Very ’80s new wave pop-rock in nature, The Fixx weren’t just posers, but a very good band. They had an original sound, thanks to the echoing synths, clean processed guitars, cavernous drums, and Cy Curnin’s unique voice, which soared over the precise arrangements to make it sound melodic.
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In about 6 years of existence, Universal reissue sub-label YesterRock reissued / remastered a lot of true gems from the past. “Somebody Up There Likes Me“, 1986’s MICHAEL DES BARRES second album, was one of them, also for the first time appeared on CD. As requested, here’s this now pretty hard to find disc.
Well known for his work with glam rock act Silverhead and rockers Detective, Michael Des Barres indulged in the sex, drugs & rock and roll lifestyle to the max. Making his first solo album in 1981, ‘I’m Only Human’ proved to be a musical departure, aiming to sit closer to the new wave pop of the time.
After fronting the short lived but excellent rock band Chequered Past, Michael was catapulted in front of a worldwide audience when he was vocalist for The Power Station at Live Aid, replacing Robert Palmer. The Power Station toured the world with Des Barres, but sadly they only recorded one song with him, ‘We Fight For Love’, which was used on the closing credits of the Schwarzenegger action movie Commando.
Michael returned to his solo career in 1986 with this “Somebody Up There Likes Me”, a superb rocking, melodic album featuring a dazzling array of stars.
With guitars contributed by the great Andy Taylor, Steve Jones, bass from Phil Chen, the Tower Of Power providing the horns section, and songwriting contributions from the likes of Dave Stewart and Kevin Savigar, the album is a winner all the way…

Platinum Canadian singer-songwriter BRYAN ADAMS is releasing “Classic“, a 2-CD pack featuring re-recordings of his classic songs containing new studio takes of songs from the 1980s and 1990s, including “Summer of ’69”, “Heaven”, “Run to You”, and “Please Forgive Me”.
While a few of these re-recordings were released some time ago, now the musician is releasing a 21-track CD or 2xLP with more ‘classic versions’ as well as several of Adams’ recent singles such a sthe rocking ‘Roll With The Punches’.
This 2-CD release also includes a new version of his duet with Tina Turner, featuring a previously unreleased version of Tina’s vocal (just recently released for Record Store Day in April 2025, on a limited edition 7”). Originally released only on vinyl in 2023, this compilation features freshly re-mastered / re-mixed versions of these recordings especially for this CD package. The CD version also includes the first single to be released from Bryan Adams’ soon to be released album “Roll With The Punches”.
Put out via his own record label Bad Records this release contains 21 songs across 2 CDs packaged in a 6 panel digipak gatefold sleeve, with a bellyband and shrink wrap.
Many of these new versions are terrific, and while we are all in love with the originals, most of these new takes, re-mixes are very good…

Reissue label FnA Records has done it and dug out a gem from the ’80s with the release pre-Lillian Axe band STIFF 1987’s ”Straight Up” EP along with many demos from the era, and even some new material recorded 2025 (STIFF is back!) and everything is packaged into a double album.
The first disc is the remastered version of the 1987 mini-album ”Straight Up” plus 12 demo tracks with a much better sound quality than the copies circulating among fans. The second disc features “Stiff 2025“, 8 new tracks by the new version of STIFF 2025 including the super-catchy anthem ‘Cocktail Queen’.
STIFF was cooked up in the scorching heat of a Texas summer. Founded by Jon Ster (guitar, keyboards) and Rob Stratton (bass) – later members of LILLIAN AXE – plus vocalist Greg Peddie were coming up with a new plan. That plan became STIFF.
Stratton says: ” We knew what we wanted. Visual style. Dynamic rock. Original songs with smart lyrics. Stunner vocals that didn’t sound like every other band. Pummeling bass lines. A heavy dose of screaming guitar. A song list that would blow up the dance floor. We wanted a band that would generate the feel of a party – a big party – like a New Year’s Eve party – every night.”
STIFF’s catchy melodic hard rock songs earned them spots opening for Quiet Riot, UFO, Twisted Sister, Autograph, Zebra, Pantera, Dokken, and more.
“Every gig was a party, and we loved it. But partying 300 nights a year can take a toll and Greg decided to leave the band. We knew it would be challenging to replace his vocal talent and his unique look, but we found Ron Taylor (later Lillian Axe frontman), and he was a great fit. He had a powerful voice that matched his commanding stage presence, and the girls went crazy for him – so he fit right in with the rest of us” completes Stratton.
With Ron Taylor on lead vocals STIFF recorded ”Straight Up” in 1987, as well as many unreleased songs, now included here…

To make the BLACK SABBATH ‘Born Again’ album request more complete, here’s the bootleg CD “Born Again Unmixed Demos” – also known as ‘The Manor Tapes‘, the studio facility name where the album was recorded. The release is silver-pressed with nice artwork too.
The audio source is taken from an unreleased reference audio cassette from drummer Bill Ward during the mixing of Black Sabbath’s ‘Born Again’ album. The session took place at Manor Studios, UK, June 26th 1983.
As expected all songs are sonically pretty rough, and of special interest are the versions of title track ‘Born Again’ where Ian Gillan really feels ‘loose’, and a completely different ‘Disturbing The Priest’, here a straight up rolling metal song.
A really good insight of the album’s creative process, more ‘heavy’ and raw…

As requested, here’s BLACK SABBATH one and only album with Ian Gillan as lead vocalist: 1983’s ”Born Again”, in its ”Deluxe Expanded Edition”, including an extra disc with a previously unreleased Album Session Outtake, an extended version, and several live tracks from the 1983 Reading Festival originally featured on BBC Radio 1’s Friday Rock Show.
Though the release was remastered, it was not remixed due to the inability to locate the original master tapes, as well as Sanctuary not wanting delay the release in an effort to locate said tapes for a remix. In 2021, Tony Iommi claimed that the original master tapes, long thought lost, had been found and that he was considering re-mixing them for an eventual release.
‘Born Again’ was released in September 1983 and was a commercial success. Despite receiving some negative critics, the album remains a fan favorite. If any album in the history of Black Sabbath is getting a new set of horns up from metalheads here deep into the new century, it’s ‘Born Again’.
This is classic stuff, as it’s the cover art, which has long been regarded as one of the worst in Rock music history. But you see the garish red devil-baby picture at 25-foot of distance and you know it’s Black Sabbath’s ‘Born Again’. Memorable…

Good news for ’80s music fans – as secondhand prices are high these days – Music On CD has reissued THE FIXX 1986’s album “Walkabout“, on of their best.
This English but USA based band is much more than a new wave / pop-rock outfit and always had a soft spot by fans of other musical genres, as at places their music is plenty of substance. This fourth THE FIXX LP was marked by a deliberate attempt to ‘uncomplicate‘ the group’s sound, without sacrificing the poignancy of the social messages in the songs.
That aim for catchiness was reflected on first single, “Secret Separation”, hitting the Billboard Album Rock Tracks chart at Number #1 in July 1986. Great tune.
However, it’s in the ‘deep cuts’ where the album shines. As example, ‘Can’t Finish’ is one of the best The Fixx songs ever. The unique drum beat, pumping bass lines, fantastic jumpin’ rhythm guitars, and vocal effects all come together in what is a perfect ’80s rock&pop song.
You saw it here first at 0dayrox