TASKAHA – Taskaha (2020)

TASKAHA is a new progressive band hailing from Norway. Their self-titled debut album “Taskaha” contains a vast soundscape of songs that will take you from rocking territory to the most fragile, delicate and intimate self-reflective songs.
“Taskaha” isn’t just another Prog release; the guys take progressive elements drawing inspiration from the greats mixing it with a melodic rock feel, making the sound their own.

When a new Prog release lands, you probably ask yourself which one is it going to be this time? A Djentleman’s load of gratuitous odd time signatures? Endless technical wankery that is past even what most would call Shred and do little more than showcase virtuosity?
Yet another Dream Theater copy with a high pitched singing vocalist and all too familiar rehashes of riffs from a decade bygone? Or Power / Symphonic metal posing as prog by adding a sprinkle of odd time signatures and off-key harmonies?

Surprisingly dear reader, Taskaha’s self-titled debut album is none of the above. What you are looking at here is something unique and exciting indeed – a band that has found their own voice within the Prog genre that is a joy to listen to.

Taskaha does not hold back when showing their influences. You’ll find references to all of the Progressive greats here, from some 80s Pink Floyd-inspired vocal harmonies to Tool’s almost post-rock approach to riffage. Their sound also passes through Saga and Rush territory and into modern classics like A Perfect Circle, Porcupine Tree, etc.
However, those references appear in no larger doses than how often Dream Theater visits Rush for inspiration and not overstaying in any one source of inspiration’s domain.
Make no mistake though; there’s plenty here to love for the classic Progressive Rock fan who grew up to Yes, Emerson, Lake & Palmer, or Camel.

But Taskaha’s sound is as often heavy as it is delicate and melodic. The band will take you through a journey of varied soundscapes unapologetically, without ever descending into gratuitous odd time signatures or technical showcasing that so frequently infest this genre of Metal.
Borrowing from musical styles as diverse as blues, classic rock, melodic hard rock, Rock&pop, there’s something here for everyone to love.

There are plenty of straight rock-out moments with a touch of blues like in the first track “Mind Date” that never entirely abandon prog territory but dare paint outside the lines. But there’s always very fragile moments, like in the 13-minute epic “The Climb,” and gloomy self-reflection in ”Daylight’s Fading”.
The band’s exploration of other styles runs deep, as showcased in “Eden” which delves into Art Rock with its Classical Music style arpeggios almost as if made for being played in a concert hall on a classical acoustic.

Each song has almost “movements” to it, visiting different moods between the intro and the final destination, and with lyric content that always seems to counterpoint itself… Disappointment and desperation are often countered with uplift and optimism, much like the human experience itself.

The guitars, handled by Stian Dahl and Simen Hanssen, create memorable passages that not only have a great sense of melody, harmony, and rhythm but also have some of the best tones presented in a melodic progressive record in the last decade. Solos are never self-serving and always play to the song’s strengths, creating complementary melodies or punctuating climaxes. Harmonies and riffs are inventive and take plenty of risks, still landing safely back.

The record’s production as a whole is impressive, not only for an unsigned indie release but also for any Rock record in 2020.
We have listened to very few albums this year with such big sounding guitars, deep-reaching, fully-bodied and yet clear bass, natural but punchy drums, and tasty vocals that never sound harsh or get lost in the mix.

Bass and drums are in a perfect marriage, played by David van Dort and Ole Martin Svendsen respectively. David’s bass lines are imaginative without ever failing to gel together drums and guitars. His tone is one of the best we have heard in the genre. Ole’s drums are powerful and controlled, but never sound sterile or surgical. The production has lent them a very natural yet punchy sound that matches the whole perfectly.

This wouldn’t be complete if we didn’t mention how vocalist Rick Holmen’s vocals fit like a glove into the music, and never seem overreaching or out of place. Rick does not fall into any of the genre’s cliches, succeeding in never sounding too operatic or excessively aggressive.
He very rarely delves into the far reaches of his high register, which only plays to his strengths, and delivers an excellent performance throughout the record, with maybe a few sections in “The Climb” as an exception, but not to the point of it hurting the song.
Rick manages to convey the varied emotions in the lyrical and musical content very potently and with masterful interpretation. He presents excellent versatility navigating with elegance between soft tones and raspy rocky vocals during the record.

Taskaha’s debut album is a must-have release for the Prog fan, and dare we say, for the all Rock fans in general, ranging from melodic hard rockers to power rock&pop. We can’t wait to see what the future holds for this band. The record is a little masterpiece that will be hard to beat with a sophomore release.
One of the best debuts this year without a doubt, HIGHLY Recommended for sure.

 

01 – Mind Date
02 – Distressed
03 – Reframe!
04 – Daylight’s Fading
05 – Invisible
06 – Eden
07 – Nature Girl
08 – Friday Night
09 – The Climb

Rick Holmen (vocals)
Stian Dahl (guitars)
Simen Hanssen (guitars)
David van Dort (bass)
Ole Martin Svendsen (drums)

 

BUY IT
www.amazon.co.uk/Taskaha/dp/B08DCNQ26C